LIANA C.
Selected Works
2023 – 2025

Liana C.

Artist Portfolio

Working In

Oil pastel, worked thick and textured, layered over a base of watercolour or acrylic.

Chapter 01

Still Life

Fruit, flowers and kitchen objects, built up in thick, worked colour.

Still life of oranges and a hanging string against a dark ground
Close study of a striped melon beside a clay jug, dramatic light
A loose bouquet of brown and gold chrysanthemums
White flowers beside a small kettle on a magenta ground
Chapter 02

Figures & Interiors

Invented characters, given a room, a light, a story to stand inside.

Two children at a small table beneath a tall arched window at dusk
A figure reclining in deep blue drapery
A seated stone figure and two robed monks among temple rooftops
Electric abstract composition in yellow, red and cobalt
Colour Study
Chapter 03

Colour Studies

Where mood is worked out directly in pigment, apart from any subject.

Circular sun motifs in orange and violet
Geometric abstract in teal and signal red
Chapter 04

Atmospheric & Mood

Where the picture dissolves before it resolves — feeling ahead of subject.

An abstracted interior dissolving into pink, blue and rust
Gestural abstract with a watching eye motif
Dark gestural abstract in violet and umber
Chapter 05

Landscape

Places half-remembered — a road, a garden, a ride through open ground.

Ochre houses and a parked car, geometric and sunlit
A terraced garden and waterfall seen through a stone archway
A rider on horseback in a green and violet landscape
Artist’s Note
“I imagine myself living inside the artwork, guiding me to decide on the smaller details of the piece.”

As an artist, I am often inspired by cloudgazing, imagining tales of everyday objects, and jotting down my lucid dreams. I use colour to convey how I feel about a certain mental picture. I frequently explore feelings of nostalgia, mystery or secretiveness, and serenity, which is why I tend to use desaturated, muted colours set against pronounced brushstrokes and contrast colour, instead of working in one flat register.

I use my inspiration to create stories and identities for characters, and then I capture them in an artwork. After that, I imagine myself living inside the artwork, guiding me to decide on the smaller details of the piece.

I enjoy working most with mixed media, especially thick and textured mediums such as oil pastels and paint. My favourite combination so far is watercolour or acrylic as a base, layered with oil pastels.

Expressing myself through making artwork allows me to map out my subconscious feelings that I may not be aware of. More importantly, I create an artwork to preserve my feelings that I can return to—for example, nostalgia—every time I look at it again; these feelings are something that I highly value.